So the challenge is laid out - Integrate Vibrato, be Thoughtful about Vibrato, Have a Plan (and justification) for Vibrato Use, Ensure Group Involvement in Applying Vibrato. Sounds easy right?
I've taken the material from the book and developed the following list for consideration.
- Ensure all members of the group have a fundamental understanding of vibrato production.
- Ensure members feel confident in their own production of vibrato -- ie -- all have applied the fundamentals of vibrato to create variations in vibrato, including speed and degree and application at various dynamics.
- Recognize that vibrato is not standard. The amount and degree of vibrato WILL vary for the group and for individuals.
- Recognize that vibrato is not ALWAYS ON. A non-vibrato passage can be very powerful.
- Recognize that mixing non-vibrato layers with vibrato layers can help bring out musical priorities.
- Recognize that vibrato can bring emphasis to a lesser important musical line (this is a negative thing :-)
- Recognize that vibrato should be discussed, decisions made and marked into scores and parts.
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